解构主义理论于20世纪60年代由法国哲学家雅克·德里达(Jacques Derrida)提出，为西方的文化领域开辟出全新纪元，渗透众多学科并产生深远影响。解构主义理论传播至艺术设计领域，逐渐演变形成解构主义艺术风格，对于在外在特征方面拆解、重组既定结构，在内在特征方面颠覆、突破对传统思维，启发艺术家与设计师以开放、多元的视角进行艺术实践，在笔者所研究的当代金属艺术创作领域亦是如此。本研究通过定性研究法、案例研究法、调查研究法，对解构主义理论、当代金属艺术的创作路径分别进行理论梳理：首先，对于解构主义理论、当代金属艺术创作路径等概念进行明确界定；其次，梳理解构主义理论的基本概念与解构主义艺术风格的诞生演化过程，对解构主义理论与当代金属艺术的交融进行发展历程分期，概括其当前的发展面貌并分析总结当代金属艺术创作的三大路径，即以金属媒介本体性为导向、以观念为导向、金属媒介本体性与观念的“双向驱动”。基于上述研究内容，笔者通过对大量当代金属艺术创作案例及典型艺术家个人案例进行多维度分析，创新性地归纳提炼出当代金属艺术创作的四大解构策略，即形态的解构策略、工艺的解构策略、材料的解构策略、观念的解构策略，从而总结出解构主义理论对当代金属艺术创作路径的两大意义，并发现其在传播、创新方面的两大局限，并结合个人创作实践构建出针对具体题材的多视角创作策略，对本研究形成补充与证实，最终提出本研究的结论，展望其未来的发展方向。本文通过以上内容的论述，立足当代，展望国际，充分认识解构主义对金属艺术创作的价值与意义，明晰当代金属艺术创作面对解构主义理论的立场与方向。
The theory of deconstructionism was proposed by French philosopher Jacques Derrida in the 1960s, opening up a new era in the cultural field of the West, permeating numerous disciplines and exerting profound influence. The theory of deconstructionism has spread to the field of art and design, gradually evolving into a deconstructive art style. It involves dismantling and restructuring established structures in terms of external features, subverting and breaking through traditional thinking in terms of internal features, inspiring artists and designers to practice art from an open and diverse perspective. This is also true in the contemporary metal art creation field that I am studying.This study uses qualitative research, case study, and survey research methods to theoretically sort out the creative paths of deconstruction theory and contemporary metal art. Firstly, the concepts of deconstruction theory and contemporary metal art creative paths are clearly defined; Secondly, the basic concepts of deconstruction theory and the birth and evolution process of deconstruction art style are sorted out. The development process of the integration of deconstruction theory and contemporary metal art is divided into stages, and the current development trend is summarized. The three major paths of contemporary metal art creation are analyzed and summarized, namely, guided by the ontology of metal media, guided by concepts, and driven by the bi-directional relationship between the ontology and concepts of metal media. Based on the above research content, the author innovatively summarizes and extracts four deconstruction strategies for contemporary metal art creation through multidimensional analysis of a large number of contemporary metal art creation cases and typical artist personal cases, namely the deconstruction strategy of form, the deconstruction strategy of process, the deconstruction strategy of material, and the deconstruction strategy of concept. In this way, the author summarizes the two major meanings of deconstruction theory for the path of contemporary metal art creation, discovers its two limitations in dissemination and innovation, and combines personal creative practice to construct a multi perspective creative strategy for specific themes, which supplements and confirms this study. Finally, the conclusion of this study is proposed, and its future development direction is looked forward to.Through the above discussion, this article is based on contemporary and international perspectives, fully understanding the value and significance of deconstructionism in metal art creation, and clarifying the position and direction of contemporary metal art creation in the face of deconstructionist theory.
