唐王维辋川别业诗、画、园兼备，是有记录自明代计成以来中国古典园林研究中最重要的经典案例之一，也是现代园林史研究者们公认的最重要的唐代造园案例之一。王维与裴迪在辋川共同“创造”了“辋川二十景”并为之咏诗，形成诗组《辋川集》，成为后世山水诗、景址问名的蓝本。史料记载王维曾画“辋川图”，但实物早已不存；现存最早的“辋川图”实物是五代郭忠恕《辋川图》——是后世“辋川图”摹写、创作的重要粉本。辋川别业址与二十景景址早已不存，但其所在的山水空间至今依然存在。现代地理信息技术以和早期卫星影像是研究重度开发前的辋川山水空间的重要基础资料，一定程度上弥补了“考古”资料的缺失，也是以往相关研究所不具备的条件。这为从诗文、地理、图像、空间多方面综合研究“辋川别业”提供了可能性与必要性。论文使用文献研究、现地考察、图像研究与推测求证等方法，从“诗文辋川”“地理辋川”“图像辋川”和“空间辋川”4个方面分别对王维“辋川”相关内容进行了分析研究。其中“诗文辋川”部分研究了《辋川集》等王维山水诗文对唐代至清代相关山水文学的影响，阐述了王维的禅宗倾向、“外人内天”主张以及“半官半隐”状态，并从多个方面分析了王维“辋川”的选址动机；“地理辋川”部分以地理科学方法研究了一定范围内辋峪的真实地理空间，结合现地考察和地理信息数据对王维至今的辋峪山水空间变迁过程做出了一定程度的推测，并得出了王维时期辋峪山水空间形，尤其是“欹湖”部分和“鹿苑寺”南侧山体部分的形态推测；“图像辋川”部分研究了文献记录中的王维“辋川图”、现存最早的郭忠恕版《辋川图》及其影响下的现存历代“辋川”类图像，并从观者与绘者两个角度分别对各类“辋川图”进行了图像分析研究；“空间辋川”部分结合现地考察、地理信息数据分析和已有“王维辋川”现地研究成果对“辋川二十景”进行了新的现地研究，给出了综合判断下“辋川二十景”在辋峪中位置的推测及猜测结果。最后，论文回归到园林范畴，即“园林辋川”部分，以总结的方式探究了“诗文辋川”“地理辋川”“图像辋川”和“空间辋川”4部分内容对后世园林思想、园林绘画以及园林营造等方面产生的影响。

Wang Wei’s Wangchuan Villa, which has three unique features in poetry, painting and gardening, is one of the most important classic cases in the study of Chinese classical gardens since Ji Cheng in Ming Dynasty. It is also recognized by modern garden history researchers as one of the most important Tang Dynasty gardening cases. . Wang Wei and Pei Di jointly "created" "Twenty Scenes of Wangchuan" in Wangchuan and chanted poems for it, forming the poem group "Wangchuan Ji", which became the blueprint for later generations of landscape poetry and the naming of scenic spots. Historical materials record that Wang Wei once painted the "Wangchuan Painting", but the actual object has long since disappeared. The earliest existing "Wangchuan Painting " is the "Wangchuan Painting" by Guo Zhongshu - an important powder copy of the "Wangchuan Painting" copied and created by later generations. The Wangchuan Villa and Twenty Scenes of Wangchuan have long since disappeared, but the landscape space where they were located still exists today. Modern geographical informations and early satellite images are important basic data for studying the Wangchuan landscape space before heavy development of Wangchuan. To a certain extent, they make up for the lack of "archaeological" data and are conditions that previous related research did not have. This provides the possibility and necessity for a comprehensive study of "Wangchuan Villa" from multiple aspects such as poetry, geography, images, and space.This paper uses methods such as literature research, on-site investigation, image research and speculation and verification to analyze Wang Wei's "Wangchuan" from four aspects: "Poetic Wangchuan", "Geographical Wangchuan", "Image Wangchuan" and "Spatial Wangchuan". "The relevant content was analyzed and studied. Among them, the "Poetry Wangchuan" section studies the influence of Wang Wei's landscape poems and essays such as "Wangchuan Ji" on related landscape literature from the Tang Dynasty to the Qing Dynasty, and elaborates on Wang Wei's Zen tendency, the idea of " Ren outside and Tian inside" and the " Half living in seclusion and half working as an official " state, and analyzed Wang Wei's motivations for selecting the location of "Wangchuan" from many aspects; the " Geographical Wangchuan " section uses geographical scientific methods to study the real geographical space of Wangyu within a certain range, combined with on-site inspections and geographical information data to make a certain degree of speculation on the spatial change process of the Wangyu landscape from Wang Wei to the present, and concluded the spatial shape of the Wangyu landscape during the Wang Wei period, especially the "Qihu lake" part and the south side of the "Luyuan Temple" The morphological speculation of the mountain part; the "Image Wangchuan" section studies Wang Wei's "Wangchuan Picture" recorded in the literature, the earliest extant Guo Zhongshu version of "Wangchuan Painting" and the existing "Wangchuan" images of all dynasties influenced by it. , and conducted image analysis and research on various types of "Wangchuan Painting" from the perspectives of viewers and painters; the "Spatial Wangchuan" part combines on-site investigation, geographical information data analysis and the existing "Wangwei Wangchuan" site The research results conducted a new on-site study on the "Twenty Scenic Spots of Wangchuan" and provided the inference and guess results of the location of the " Twenty Scenes of Wangchuan " in Wangchuan Valley based on comprehensive judgment.Finally, the paper returns to the category of Chinese ancient gardens, the "Garden Wangchuan" part. This part uses a summary to explore the influence of "Poetic Wangchuan", "Geographical Wangchuan", "Image Wangchuan" and "Spatial Wangchuan" on later garden thoughts, garden painting and garden construction.