中国古代仪式是由建筑、时刻、声音、灯光、嗅觉多重要素建构的记忆之场。其中，声音作为塑造仪式场景的重要元素，对环境中的建筑物、器物、仪式程序，以及仪式参与者的具体行为都产生了不可忽视的影响。本研究希望通过结合声景学的理论框架，对明代嘉靖时期“大祀祭天仪式”中的“礼乐”进行分析，并使用当代的艺术设计手法对仪式环境对声音环境物理、仪式行为交互、以及仪式对文化知觉联想进行全面的诠释与重构。本文首先对祀天仪式的背景、流程与场地进行了分析与考证，将关注点缩小到明嘉靖朝祀天仪式的“正祭”活动。随后，本文结合声景学的三个关键维度，通过对声学模拟、乐章与皇帝行为、诗词意象原型三个主要方面的分析，探讨了礼乐声音从时间、空间以及行为方面对仪式场景的塑造作用。最后，本文结合数字声音模拟与新媒体影像等技术手段，从三个维度对祀天仪式进行设计重构以及意象文化的再诠释，让声景空间可听、可视、可感。

Ancient Chinese rituals were constructed as fields of memory through multiple elements such as architecture, timing, sound, lighting, and olfaction. Among these, sound, as an important element in shaping the ritual scene, has an undeniable impact on the buildings, objects, ritual procedures, and specific behaviors of the participants in the environment. This study aims to analyze the "rites and music" in the "Great Sacrificial Ceremony to Heaven" during the Jiajing period of the Ming Dynasty, by combining the theoretical framework of soundscape studies, and to provide a comprehensive interpretation and reconstruction of the physical sound environment of the ritual, the interaction between ritual behaviors, and the cultural perceptual associations through contemporary artistic design techniques.This paper first analyzes and verifies the background, process, and venue of the Heaven-worshipping ceremony, narrowing the focus to the "main sacrifice" activities of the Heaven-worshipping ceremony during the Jiajing reign of the Ming Dynasty. Subsequently, the paper discusses the role of ritual music in shaping the ritual scene from the aspects of time, space, and behavior by integrating the three key dimensions of soundscape studies: acoustic simulation, musical chapters and imperial behavior, and poetic imagery prototypes. Finally, by combining digital sound simulation and new media imagery techniques, the paper reconstructs the design of the Heaven-worshipping ceremony and reinterprets the imagery culture from three dimensions, making the soundscape space audible, visible, and perceptible.