回溯曹魏四十余载历程,开国君主曹丕执政时间颇为短暂,而三少帝时期皇权一度旁落,北方社会的政治格局、思想文化与文学风尚的更迭实则与魏明帝曹叡之治世紧密相关。此外,对个体人物进行专题研讨实为洞察一代风貌之重要途径,但既往研究中对曹叡的探讨却略显薄弱。因此,本文选定魏明帝曹叡为研究对象,旨在呈现更为全面深入的曹叡形象,彰显其在历史舞台中的独特地位与杰出贡献。同时,期能以此为基础,窥探此时期文学原生态,为相关领域的研究提供新的视角。本文首先考证梳理曹叡在黄初年间的相关经历,即丧母失宠、贬爵为侯、留居洛阳、砥砺自饰、复位为王等事件。在一系列波折中,曹叡积淀了深厚的个人素养,亦在人生困境中承受了沉重的心理压力,从而深刻影响其人格的形成和文学创作。继此,本文聚焦于曹叡执政历程,探赜其如何在政治声望尚未稳固之际巧妙建构皇权,终使自身牢牢掌控曹魏帝国话语权。此外,对学界尚未深究之曹叡与辅政大臣间的博弈过程进行详尽考辨。在此过程中,力求揭示曹叡的政治思想与权谋手段,以期深化对这位历史人物的认知与理解。继而,本文细述曹叡如何破旧立新,变革前代统治者的文化成规并推行独特的文学艺术政策,尤以曹叡“命赋”与设立崇文观为标本,剖析作为帝王的曹叡在推动文化复兴与文学繁荣方面所展现的卓越贡献。最后,以曹叡诗歌为研究对象,深究其文学造诣。经过细致考证曹叡诗歌的创作时序,可见其诗作与境遇相互映照,诗风历经五次嬗变。进而,细究曹叡诗作对前贤典籍与诗歌的传承现象,辨析其化用三曹诗句实际源于特定的考量。在继承前人遗韵的同时,曹叡之诗另辟蹊径,风格卓然,后世文人创作深受其沾溉。在此基础上,谨对曹叡诗歌在文学史中的定位做出稳妥诠释,即曹叡为建安与正始文学过渡之人物。
Tracing the history of the Wei Dynasty over forty years, the reign of the founding emperor, Cao Pi, was quite ephemeral, and while the imperial power fell away for a time during the period of the Three Young Emperors, the changing political pattern, ideology, culture, and literary styles of northern Chinese society were intimately related to the administration of the Emperor Ming of Wei Dynasty, Cao Rui. In addition, a thematic research on an individual character is an invaluable way to recognize a generational style, yet research on Cao Rui has been slightly weaker in previous research. Therefore, this thesis selects the Emperor Ming of Wei Dynasty, Cao Rui, as the object of research, with the aim of presenting a more comprehensive and profound image of Cao Rui, and highlighting his unique position and distinguished contributions in the historical arena. At the same time, it is hoped that it can be used as a basis for exploring the literary ecology of this period and provide new perspectives for research in related fields.This thesis begins with an examination of Cao Rui's experiences during the Huangchu period, namely the death of his mother, the loss of favorite status, the reduction of title to marquis, the detention in Luoyang, the strengthening of self-decoration, and the reappointment of the Prince of Pingyuan. Through a series of twists and turns, Cao Rui developed a deep personal quality and endured heavy psychological pressure in the midst of troubled times, which shaped his personality and his literary creation.Following the above, this thesis focuses on Cao Rui's governing process, exploring how he skillfully constructed imperial power while his political reputation was still unestablished, and how he eventually gained a firm grip on the discourse of the Wei Dynasty. Furthermore, this research provides a thoughtful examination of Cao Rui's games with his supporting ministers, which have yet to be explored by the scholarly community. In the process, the aim is to reveal Cao Rui's political ideology and power tactics, with a view to deepening the perception and appreciation of this historical figure. This thesis then describes how Cao Rui broke with the past, transformed the cultural conventions of previous rulers, and pursued a unique policy of literature and the arts, using Cao Rui's "ordering of fugues" and the establishment of Chongwen Guan as specimens of the emperor's remarkable contributions to the revival of culture and the flourishing of literature.Finally, taking Cao Rui's poems as the object of study, it is possible to delve deeper into his literary attainments. Upon meticulous examination of the chronology of Cao Rui's poems, it can be seen that his poems mirrored his circumstances, and that his poetic style underwent five vicissitudes of change. Then, examining the phenomenon of Cao Rui's inheritance of the canons and poems of previous sages, and analyzing his use of the poems of his family's elder, Three Caos, actually stems from specific considerations. While continuing the legacy of earlier generations, Cao Rui's poems developed a separate and distinctive style, which was deeply imbued with the creativity of later generations of literati. On this basis, it is appropriate to position Cao Rui's poems in literary history as a figure in the transition between Jian'an and Zhengshi literature.