目前，日本漫画与动画已拥有巨大的影响力，其中“少年漫”这一类别更是被视为主流，在海内外均获得了极高的人气，受众群体广泛。而大众文化是社会心理与思想的反映，反之亦能对大众造成影响，且这种影响是潜移默化的，因此有必要对其进行不同视角的分析。本论文选取的研究对象为2000年代及之后的日本人气少年漫画改编动画作品，试从性别角度分析其中的女主角及其他女性角色形象，以期发现其共性与个性中存在的性别问题。　　在各章节中，主要围绕战斗、自立和社会关系这三个关键词进行了具体分析。在战斗类作品中，远离对战而只是在后方默默守护男性的女主角已经变得少见，大部分女性角色都以各种各样的方式参战。但她们的战斗方式总体而言仍具有很大的依赖性。关于自立，重点考察了三位女主角，可以看到她们已经实现了一定程度的自立，然而大部分最终还是回归到对恋爱与男性的依赖上，无法实现更高程度的自立。　　而在社会关系方面，不论是就角色在作品中的社会地位还是在故事中所起的作用而言，各作品中男性的优势地位、男女之间的权力不平等仍旧普遍存在，并且异性恋的构造也依然持续。此外，身为母亲的女性角色们与身为父亲的男性角色们有着明显的不同，她们的活动范围大多仅限于家庭领域，而很少在社会领域活跃，母性与母亲身份被着重强调，而其他方面则被明显淡化了。总体而言，少年漫画改编动画作品中的女性形象和以往相比确实有了很大进步，但其仍旧受到现实世界中性别秩序的诸多限制。

　　Japanese manga and anime have become very influential, especially the "shōnen manga" genre, which is recognized as classics, gaining popularity among audiences of all ages at home and abroad. Since popular culture is a reflection of social mentality and thought, as well as a major influence on the public, it is necessary to analyze it from a variety of perspectives. This thesis focuses on anime based on popular shōnen manga works from the 2000s onward. It is an attempt to analyze the heroines and other female characters from a gender perspective while clarifying issues hidden in their commonalities and characteristics.　　In different chapters, specific analyses mainly focus on three keywords: battle, self-reliance and social relations. In battle works, instead of heroines who used to be far from the battle, most heroines participate in battle in various ways. However, their ways of fighting are more likely to be dependent. Regarding self-reliance, focusing on the three heroines, it can be seen that they have achieved self-reliance in a certain degree, but most of them are finally back to the dependence on romantic relationships and male characters, indicating that a higher degree of self-reliance is still hampered. 　　As for social relations, it can be seen that male domination, gender inequality and the persistence of heteronormativity are still prevalent among different works. In contrast to the father characters, the mother characters are usually confined to domestic space with fulfilling little social roles. Motherhood is emphasized while other aspects of their identities are clearly downplayed. In general, comparing to the past, the female image in anime works based on shōnen manga has been improved relatively, but it is still limited by gender order of the real world in many aspects.