中国漆画理论从20世纪至今是一个现代转型与发展的历程，它集西方以及其它画种文论所长建立起来的多样动态理论结构让中国漆画得到新的发展。专家学者利用不同的文学理论，对漆画作品从不同角度进行阐释与解读，几代人经过不断摸索，现代漆画教育、官方展览、组织等诸多因素的推动。取得了丰硕的成果。在漆画的理论研究中，对漆画的意义与价值讨论贯彻整个漆画史。其作为中国传统绘画的一种形式，所蕴含的文化、历史和艺术价值具有重要意义。一些学者在研究漆画的同时，也在思考漆画的文化意义和价值，其在中国近现代的理论研究中，呈现出多元化和综合性的特点。漆画艺术在20世纪的变革和探索中得到了发展，漆画自身生成的语境以及其必须面对的问题是中西古今之变。漆画作为一种艺术手段应该被纳进美术史以及历史的范畴。近半个世纪来，漆画的探索方向已经变得清晰，但研究的角度因各个学者所在历史背景差异而有所差异，从而使得漆画的研究受到了时代特征的影响，具有一定的局限性。近十年，漆画理论研究也开始采用新的研究方法，例如：对漆画的社会文化背景、意义和象征进行深入探讨，从社会学、文化学等多个学科角度来研究漆画的内涵和外延；同时，一些漆画理论家也开始借鉴西方的文化批评、后现代主义等理论，运用新的研究方法来解读漆画作品，艺术家的创作水平和艺术品质。本文主要集中对二十世纪以来漆画艺术为主题的相关文献进行研究，通过历史梳理以期更全面地掌握漆画艺术文献研究的学术价值。中国漆画20世纪以来得到了快速的发展经历了几代漆画家的努力，为建立现代漆画做出了贡献。中国漆画因创作群体的智慧与极限历经艰辛才迎来现在的繁荣。中国漆画确立其在当代的学术地位因为它不仅在物质语言上进行了研究，还重塑了本体语言和形式语言。如今我们通过对漆画文献的研究中有关的创作观念和绘画思想以及创作体系，对于研究漆画艺术的发展具有重要的现实意义。
The theory of Chinese lacquer painting has been a course of modern transformation and development from the 20th century to the present. The diversified dynamic theoretical structure established by integrating the strengths of western and other kinds of painting literature makes Chinese lacquer painting get new development. Experts and scholars use different literary theories to interpret lacquer painting works from different angles. After several generations of constant exploration, modern lacquer painting education, official exhibition, organization and many other factors promote. Fruitful results now have been achieved.In the theoretical research of lacquer painting, the meaning and value of it are discussed throughout the history of lacquer painting. As a form of traditional Chinese painting, its cultural, historical and artistic values are of great significance. Some scholars in the study of lacquer painting at the same time, also thinking about the cultural significance and value of it, its theoretical research in modern China, showing the characteristics of diversification and comprehensive. Lacquer painting art has been developed in the revolution and exploration of the 20th century. The context of lacquer painting itself and the problems it must face are the changes of Chinese and Western ancient times. Lacquer painting as an artistic means should be included in the art history and history category. In nearly half a century, the exploration direction of lacquer painting has become clear, but the research Angle is different due to the differences in the historical background of each scholar, which makes the research of lacquer painting affected by the characteristics of The Times, with certain limitations.In the past ten years, the theoretical research of lacquer painting has also begun to use new research methods, such as: the social and cultural background of lacquer painting, meaning and symbol of in-depth discussion, from the perspective of sociology, culturology and other disciplines to study the connotation and extension of lacquer painting; At the same time, some lacquer painting theorists also began to learn from western cultural criticism, postmodernism and other theories, using new research methods to interpret lacquer painting works, artists‘ creation level and artistic quality. This paper mainly focuses on the literature research of lacquer painting since the 20th century, and hopes to grasp the academic value of lacquer painting literature research more comprehensively by combing the history. Chinese lacquer painting has been developing rapidly since the 20th century through the efforts of several generations of lacquer painters, contributing to the establishment of modern lacquer painting. Because of the wisdom and limit of the creative group, Chinese lacquer painting has gone through hardships to usher in the present prosperity. Chinese lacquer painting has established its academic status in contemporary times because it not only studies material language, but also reshapes internal language and formal language. Now we through the literature research of lacquer painting related to the creation of ideas and painting ideas and creation system, for the study of the development of lacquer painting art has important practical significance.
