当下抽象雕塑的创作手法或语言繁多，作为雕塑艺术中不可或缺的一部分，抽象雕塑在一定程度上丰富了当代雕塑创作手法和观念。随着艺术和科技的发展，抽象雕塑也由传统的静态发展到动态，其中的材料、表现手段以及侧重点都发生着或多或少的改变，唯一没有改变的就是线在抽象雕塑中的运用与地位。西方抽象雕塑艺术在理论和实践方面都已相当成熟，而中国抽象雕塑则基本上仍是现代西方抽象艺术的变种，并没有形成具有中国特色的抽象雕塑艺术，具有历史延展的滞后性。本文主要针对抽象雕塑线性语言进行研究，深入探寻抽象雕塑中线性语言的表现形式与特征。随着艺术的不断发展，在近现代艺术的时代更迭中，艺术从毕加索的立体主义，到现当代以德国抽象雕塑家汉斯·阿尔普为代表的达达派抽象雕塑艺术，艺术逐渐从具象走向了抽象。为了更好的对抽象雕塑的线性语言进行探究，论文首先对抽象雕塑艺术进行详细的阐释、归纳与整理，明确抽象雕塑的概念、类型以及中西方抽象雕塑的发展过程。综观中西方抽象雕塑作品，很多艺术家热衷于利用线元素进行创作，他们将思想、观念、情感注入进线条中，从而赋予线条以独特的线性语言。论文从由线性材料构成的造型语言、由线面结合构成的线性语言、团块形体中的线性语言三方面深入探究抽象雕塑线性语言的表现形式，并以大量具体艺术作品作为案例进行分析。线条在抽象雕塑中的运用不仅帮助抽象雕塑进一步冲破传统具象雕塑的桎梏，同时也大大增强了抽象雕塑的艺术表现力。论文通过对线性语言概念、表现形式的梳理以及大量案例分析总结出抽象雕塑线性语言具有节奏与韵律、张力与空间 、动态与时间、主体与辅助四方面艺术特征。实践是认识的基础，笔者将线性语言融入艺术创作中，以理论结合实践的方式进一步探索抽象雕塑中线性语言的表现形式与艺术特征，希望为中国抽象雕塑的形式语言、创作方法、观看角度、评价角度等融入新的内容，带来新的观点，尽可能丰富中国抽象雕塑的理论体系。同时，笔者也希望能从中对抽象雕塑艺术获得新的认知和理解从而更好融入雕塑创作的实践应用中。

At present, abstract sculpture has many creative techniques or languages, as an indispensable part of sculpture art, abstract sculpture enriches contemporary sculpture creation techniques and concepts to a certain extent. With the development of art and technology, abstract sculpture has also developed from traditional static to dynamic, in which materials, means of expression and focus have undergone more or less changes, the only thing that has not changed is the use and status of line in abstract sculpture. Western abstract sculpture art is quite mature in theory and practice, while Chinese abstract sculpture is basically still a variant of modern Western abstract art, and has not formed abstract sculpture art with Chinese characteristics, which has the lag of historical extension. This paper mainly focuses on the linear language of abstract sculpture, and deeply explores the expression and characteristics of linear language in abstract sculpture.With the continuous development of art, in the era of modern art, art from Picasso‘s cubism to modern and contemporary Dadaist abstract sculpture represented by German abstract sculptor Hans Arp, art gradually moved from figuration to abstraction. In order to better explore the linear language of abstract sculpture, this paper first explains, summarizes and organizes abstract sculpture art in detail, and clarifies the concept and type of abstract sculpture and the development process of abstract sculpture in China and the West. Looking at Chinese and Western abstract sculptures, many artists are keen to use line elements to create, they inject thoughts, concepts, and emotions into lines, thus giving lines a unique linear language. This paper deeply explores the expression of linear language of abstract sculpture from three aspects: the modeling language composed of linear materials, the linear language composed of the combination of lines and surfaces, and the linear language in the mass shape, and analyzes a large number of concrete works of art as cases. The use, interpretation and development of line in abstract sculpture not only helps abstract sculpture further break through the shackles of traditional figurative sculpture, but also greatly enhances the artistic expression of abstract sculpture. Through the combing of linear language concepts and forms of expression and a large number of case studies, this paper concludes that linear language of abstract sculpture has artistic characteristics such as rhythm, spatiality, temporality, and auxiliary.Practice is the basis of understanding, the author integrates linear language into artistic creation, further explores the expression form and artistic characteristics of linear language in abstract sculpture by combining theory with practice, and hopes to integrate new content into the formal language, creation method, viewing angle, evaluation angle, etc. of Chinese abstract sculpture, bring new perspectives, and enrich the theoretical system of Chinese abstract sculpture as much as possible. At the same time, the author also hopes to gain new knowledge and understanding of abstract sculpture art, so as to better integrate into the practical application of sculpture creation.