中国人对于空间的理解，可以从山水画、壁画等艺术作品中瞥见，追溯其源头不难发现，汉代画像砖石中的空间表现体现了早期中国空间观的雏形。本课题运用了文献考证法、调研法、形式分析法、实践操作法。在查阅资料后发现，与汉画像砖石空间相关的学术理论研究众多，但真正化用成设计实践的优秀作品少之又少。笔者经过调研后发现，游戏是目前最合适的设计实践载体，尤其是热度稳定增长的解谜类游戏，因其玩法规则自由度大、趣味性强，成为本次课题实践的不二选择：制定与汉画像砖石画面空间有关的游戏规则，让玩家通过切换空间场景、解开谜题等方式，沉浸式体验汉代特色的空间表现及其背后深厚的空间观。本文针对汉画像砖石画面空间特征，先阐述其定义与历史发展，再从空间表现、空间关系、空间结构与思想观念的关系三大方向重新整合前人具有代表性的理论观点：在空间表现中，主要有透视构图法、四边形空间法两大观点来解读空间，此外还总结了影响空间表现的装饰语言；在空间关系中，体量关系、空间方位、组合与分割形式均有其特色范式规则；思想观念是画面空间背后所蕴含的汉代文化思想，包括生死观、价值观、哲学观、空间观。而后，笔者通过实践将这些理论筛分摘选，设计出既有传统美学又不失现代感的视觉效果，并作为本作游戏的设计规范，应用于游戏美术、游戏转场、游戏剧情中，尝试创作一款具有汉画像砖石画面空间特征的H5解谜游戏。本研究提炼了汉画像砖石画面空间特征，应用于当代的新媒体交互中，赋予其新的活力。通过游戏寓教于乐，增加中国文化传播的趣味性与多样性，激发读者学习兴趣，深化对汉文化的认知，唤醒对汉文化的重视，并为汉画像砖石的艺术再创新提交一份自己的见解。
Chinese‘s understanding of space can be glimpsed in works of art such as landscape paintings and murals, and it is not difficult to trace their origins to find that the spatial representation in the masonry of Han dynasty portraits reflects the prototype of the early Chinese view of space.This project uses literature research, research, formal analysis, and practical operation methods. After reviewing the materials, it was found that there are many academic theoretical studies related to the masonry space of Han portraits, but there are very few excellent works that are truly used as design practices. After investigation, the author found that the game is the most suitable design practice carrier at present, especially the puzzle game with stable growth in popularity, because of its large degree of freedom and strong interest in the rules of gameplay, it has become the only choice for the practice of this topic: formulate game rules related to the masonry screen space of Han portraits, so that players can immerse themselves in the spatial performance of Han Dynasty characteristics and the profound spatial concept behind them by switching space scenes, solving puzzles, etc.In view of the spatial characteristics of Han portrait masonry, this paper first expounds its definition and historical development, and then reintegrates the representative theoretical views of predecessors from the three directions of spatial expression, spatial relation, The relationship between spatial structure and ideological concepts: in spatial expression, there are mainly two major viewpoints of perspective composition method and quadrilateral space method to interpret space, and in addition, the decorative language that affects spatial expression is summarized; In the spatial relationship, the mass relationship, spatial orientation, combination and segmentation form all have their own characteristic paradigm rules. Ideological concepts are the cultural ideas of the Han Dynasty behind the picture space, including the concept of life and death, values, philosophy, and space. Then, through practice, the author screened and selected these theories, designed visual effects with both traditional aesthetics and modern sense, and used them as the design specifications of this game, applied them to game art, game transitions, and game plots, and tried to create an H5 puzzle game with the spatial characteristics of Han portrait masonry.This study extracts the spatial characteristics of Han portraits in masonry and applies them to contemporary new media interaction, giving them new vitality. Through games and edutainment, it increases the interest and diversity of Chinese cultural communication, stimulates readers‘ interest in learning, deepens their understanding of Han culture, awakens the importance of Han culture, and submits their own insights for the re-innovation of Han portrait masonry art.
