生态系统的良性运转与地球生命共同体的命运息息相关，关乎着人类社 会的现在与未来。如今，越来越多的人关注到人类与自然和谐共存的话题， 无论是在艺术还是设计领域，敬畏自然都是重要的创作主题之一。在文学艺 术领域，法国昆虫学家法布尔所著的《昆虫记》作为一部兼顾科普意义与文 化价值的著作，自发行以来，在世界范围内受到广泛的认可。纵览全书，作 者从外形特征、生物习性等方面围绕多种昆虫进行了描写，同时以物喻人， 反应人类社会生活，书籍内容翔实，文字风格诙谐有趣。笔者以《昆虫记》作为蓝本，节选书中富有趣味性的十个案例加以编辑， 在此基础上开展创作。在创作的过程中，笔者对《昆虫记》、立体书、稚拙 艺术与立体主义艺术等方面做了较为系统的研究。在对《昆虫记》的研究上， 本文简要介绍了书的内容、历史与其在国内的传播状况。在立体书的设计方 面，本文首先对其概念做了简要界定，介绍了立体书发展的历史脉络;其次， 依据书籍外观与内容的不同，对立体书的样式进行了分类概括;最后，展望 了立体书的发展趋势。在稚拙艺术与立体主义艺术方面，本文分别梳理了两 种风格的发展历史与研究现状，着重对具有代表性的艺术家和艺术作品进行 分析，总结了两种艺术各自的风格特征，并通过对比，归纳出二者的相似性: 不设限的构图、自由的视点、平面化的色彩、朴素的肌理等。在《昆虫记》 立体书的视觉表达上，笔者将稚拙艺术与立体主义艺术风格相结合作为表现 手法，以手制立体书作为设计载体加以呈现。《昆虫记》立体书分为上下两 册，每册又有五个部分，由大型立体结构和小型立体插页共同组成，每个部 分插图与文字相互对应，从而辅助读者对内容进行理解。本次创作旨在通过 对艺术表达形式的探索，传递生态环境与生物多样性保护观念。在创作的过 程中，笔者通过探索昆虫立体结构的设计方法，艺术风格与设计载体的结合 方式，力求达到设计作品形式与观念的统一。最后，通过总结实践过程中遇 到的问题与解决办法，笔者尝试提出了关于立体书中的稚拙艺术与立体主义 艺术设计的方法，希望能够对今后的设计与研究提供借鉴。
The healthy functioning of ecosystems is closely linked to the fate of the Earth's living community, and concerns the present and future of human society. As a result, more and more attention is being paid to the topic of the harmonious coexistence of humans and nature. In both art and design, reverence for nature is one of the key creative themes, and designers and artists are creating a great deal of work as a result. In the field of literature and art, the French entomologist Jean-Henri Casimir Fabre's "Souvenirs entomologiques" is a work of both popular science and cultural value. Since its release, the book has been widely recognised worldwide. Throughout the book, Fabre described a wide range of insects in terms of their physical characteristics and biological habits, while using objects as metaphors to reflect human social life.This paper used "Souvenirs entomologiques" as a blueprint and edited ten interesting examples from the book to create a work based on them. In the process of creating the book, this paper done a systematic study of "Souvenirs entomologiques", pop-up books, naive art and cubism art. In the study of "Souvenirs entomologiques", the content and history of the book and its dissemination in China are briefly described. In terms of the design of pop-up books, the paper firstly defines the concept and introduces the historical development of pop-up books. Secondly, it outlines the styles of pop-up books according to their appearance and content. Finally, the development trend of the pop-up book is outlined. In terms of naive art and cubism art, this article reviews the history and research status of each style, focusing on representative artists and artworks. Finally, the stylistic characteristics of the two styles are summarised. Through comparison, the similarities between the two are summarised: unrestricted composition, free perspective, flat colors, plain texture, etc. In the visual expression of the pop-up book "Souvenirs entomologiques", this paper combines naive art with cubism as an expressive technique and presents it in a handmade pop-up book as a design vehicle. The "Souvenirs entomologiques" pop-up book is divided into two volumes. Each of these books has five sections, consisting of a large three-dimensional structure and small three-dimensional inserts. The illustrations in each section correspond to the text and thus assist the reader in understanding the content. The aim of this paper is to convey the concept of ecology and biodiversity conservation through the exploration of artistic expression. In the process of creation, this paper explores the design of the three-dimensional structure of the insects, the combination of artistic style and design vehicle, in order to achieve the unity of the design work and the concept. In conclusion, by summarising the problems and solutions encountered in the process of practice, this paper has refined the methods of naive art and cubism art design in the pop-up book, which includes the hope that reasonable methods can be proposed for future design and research.
