本文主要研究唐代敦煌壁画中的华盖图案在装置艺术中的设计应用。通过对唐代敦煌华盖图案的发展演变、时代特征进行全面的整理与总结，探讨其运用于装置艺术的发展潜力。首先梳理华盖的起源与发展历程，接着聚焦于唐代敦煌壁画中的华盖图案，从时间线纵向探析唐代各个时期中敦煌华盖图案的外形结构。然后从唐代华盖图案组成纹样的角度出发，整体分析敦煌壁画中的华盖图案元素，同时对其色彩结构作统一概述。最后，基于装置艺术形态，研究华盖在当代设计实例中的具体案例，并以此展开毕业设计。设计方案本着弘扬传统文化、推陈出新的想法，保留唐代敦煌华盖图案中的造型、色彩特征，通过对其中的经典纹样进行有效选取、改造、组合，完成对传统装饰图案抽象化、固有艺术形式现代化的再设计。在工艺上选择友禅染的制作方式，将经过设计的华盖图案与装置艺术形态结合，延展出恰当、新颖的表达效果，为唐代敦煌华盖图案在当代设计语境中的研究及运用提供更多灵感与启迪。

This paper aims to study the design and application of canopy patterns in Dunhuang Frescoes of Tang dynasty on installation art. Through comprehensive sorting and summarizing about the development and characteristics of canopy patterns in Dunhuang Frescoes, we could explore its development potential on installation art.First of all, I will sort out the origin and development of the canopy, and pay attention to the canopy patterns in Dunhuang Frescoes. The shape and structure of the canopy patterns in Dunhuang in various periods of the Tang Dynasty are also longitudinally analyzed from the timeline. Then, from the perspective of the pattern composition of the canopy patterns in the Tang Dynasty, the elements of the canopy patterns in Dunhuang frescoes are analyzed as a whole. At the same time, a unified overview of the color structure is given. Finally, based on the form of installation art, the specific cases of canopy in contemporary design examples are studied, and the graduation project is carried out.Based on the idea of promoting traditional culture and bringing forth new ideas, the design scheme retains the shape and color characteristics of the Dunhuang canopy patterns, and completes the abstraction and inherent art form of traditional decorative patterns by effectively selecting, transforming and combining the classic patterns. In terms of craftsmanship, the production method of Yuzen dyeing is selected, and the designed canopy pattern is combined with the installation art form to extend an appropriate and novel expression effect. In this way, this design will provide more inspirations and enlightenment for the research and application of the Tang Dynasty Dunhuang canopy pattern in the contemporary design context.