本文将在空间视域下深入探索电影化虚拟现实（CVR）的叙事语言，并以电影的空间叙事理论基础出发，结合大量案例，从CVR空间的限定性、内部性、内外通透性进行了构成性分析；总结了进入空间、构建空间、幻触空间及空间中的时间四个方面的CVR空间叙事策略； 最终得出空间叙事在CVR中的独有特性，并通过个人原创的CVR作品，以现有的剧本及脚本撰写、空间调度及兴趣区域（RoI）设置等实践技巧为指导，探索了一套可行的CVR创作流程和方法，为VR技术发展提供可供参考的发展需求。

This paper deeply explores the narrative language of cinematic virtual reality （CVR） from the perspective of space, and makes a constitutive analysis from the limitation, internality and internal and external permeability of CVR space based on the spatial narrative theory of film and a large number of cases; It summarizes the CVR space narrative strategies in four aspects: entering space, constructing space, unreal touch space and time in space. Finally, the unique characteristics of spatial narration in CVR are obtained. Through personal original CVR works, guided by the existing practical skills such as script writing, spatial scheduling and region of interest （ROI） setting, a set of feasible CVR creation processes and methods are explored to provide reference development needs for the development of VR technology.