动画影片的种类有很多，其中叙事类动画的数量相对较多。相对于投资巨大的长片动画电影，短小精悍的动画短片在现实中的应用场景更加广阔。剧本是为构建叙事类动画短片而编写的作品，往往深刻影响一部短片质量的好坏。关于实拍长片电影和动画长片电影，已经有较多的理论和实践。相比之下，直接针对动画短片的剧本研究数量较少。本文通过对比分析法分析具体的案例和理论，发现在叙事类动画短片的剧本中有非常多需要注意的现象。在剧本结构中，时长的差异会对剧本结构造成较大的影响。奥斯卡与安妮奖的短片入围作品平均时长约为10分钟，远低于规则要求的上限。短片剧本会保留三幕式结构，并删减多余情节。短片会进行时间跳跃与合并同类压缩时长。循环式和反转式的叙事结构在叙事类动画短片中非常普遍。动画剧本具有较为明显的动画特征，动画的形式使得观众能轻易接受非理性的、抽象的、不符合逻辑的内容。这给剧本写作带来了自由度。不同的风格会限制剧本的写作，但动画符号化的转化，又为物体与物体之间的转变提供了可能性。符号化会消解某些情感的冲击，扩充了剧本书写的边界。多元化的应用目标也会影响剧本的写作。依据应用场景的不同，剧本可以根据场景量身定做写作方向。研究中发现的这些特征，至少目前来看，还不能指望能用一个系统的理论研进行彻底的解释，但是尽最大的努力进行了一定广度的事实梳理，也尝试对短片短片动画剧本的创作规律提出一些意见和假设，并用自己的毕业设计践行之。相信这一切都有望为这个领域的研究起到抛砖引玉的初步作用。

There are many kinds of animated films, among which the number of narrative animation is relatively large. Compared with the long-length animated films with huge investment, short animated films have a broader application scene in reality. Script is written for the construction of narrative short animation works, often deeply affect the quality of a short film.There are many theories and practices about the real feature film and animated feature film. In contrast, the number of script studies directed at animated short films is relatively small. Through comparative analysis of specific cases and theories, this paper finds that there are a lot of phenomena that need to be paid attention to in the script of narrative animated short films.In the script structure, the difference of duration will have a great influence on the script structure. The average Oscar and Annie shortlist is about 10 minutes long, well below the rule limit. The short script will retain the three-act structure and cut redundant plots. The short film will do time jump and merge the same compression time. Cyclic and reverse narrative structures are very common in narrative short films.The animation script has obvious animation characteristics, and the form of animation makes the audience easily accept the irrational, abstract and illogical content. This gives freedom to screenwriting. Different styles will limit the writing of scripts, but the symbolic transformation of animation provides possibilities for the transformation between objects. Symbolism relieves some of the emotional impact and expands the boundaries of script writing.Multiple application objectives will also affect the writing of the script. The writing direction of the script can be customized according to the application scenario.Study of these characteristics, at least for now, also cannot be expected to use a system of theory research for a thorough explanation, to a certain extent but try my best to the fact that the comb, also try to video clip animation creation rules put forward some opinions and assumptions of the script, with his own practice of graduation design. I believe that all these are expected to play a preliminary role in this field of research.