毛泽东文艺思想是以毛泽东同志为主要代表的中国共产党人运用马克思主义文艺理论在解决中国文艺实际问题的实践中形成的智慧结晶。人民观是毛泽东文艺思想的理论主线，它既是中国化马克思主义文艺理论的核心表达，也是群众路线在文艺领域的典型运用，深刻彰显了无产阶级的世界观和方法论。研究毛泽东文艺思想中的人民观，旨在进一步厘清毛泽东文艺思想形成的历史脉络，把握毛泽东文艺思想中人民观的深刻内涵，探寻正确处理文艺与人民关系的方法原则，为推动新时代中国特色社会主义文艺事业繁荣发展提供理论滋养。如何处理文艺与人民的关系是贯穿中国革命文艺实践的一个基本问题，也是毛泽东文艺思想中的人民观的现实逻辑。毛泽东文艺思想中的人民观形成和发展有其深厚的理论渊源、鲜明的时代背景和深刻的历史实践，集中阐述了文艺属于人民、文艺利于人民、文艺依靠人民等核心问题，科学回答了中国革命和建设过程中如何正确处理党、人民、文艺三者之间关系的历史课题，是对中国无产阶级革命文艺运动和社会主义文艺建设实践的集中总结和科学阐释，表现出了人民性与阶级性相统一、科学性与实践性相统一、审美性与功利性相统一的理论特质。毛泽东文艺思想的人民观形成、发展和成熟于新民主主义革命时期、社会主义革命和建设时期，有其特定的历史背景，但其所揭示的文艺要为人民群众服务的一般原则和正确解决文艺如何为人民群众服务的具体方法，仍将为新时代中国共产党继续推进社会主义文艺向前发展提供不竭的思想源泉和丰厚的教益启示。立足第一个百年奋斗目标，向实现第二个百年奋斗目标奋勇前进的新征程上，必须要毫不动摇地坚持人民群众在文艺发展中的主体地位、坚持文艺为人民服务的价值导向、坚持文艺以人民为中心的创作方法，扎实推进新时代中国特色社会主义文艺事业沿着正确方向和道路向前发展，真正表现时代风貌、引领时代风气、谱写时代华章，为建设社会主义文化强国提供源源不断的力量。

Mao Zedong's literary and artistic thought is the crystallization of wisdom formed in the practice of solving practical problems of Chinese literature and art by the Chinese Communists represented by Comrade Mao Zedong using Marxist literature and art theory. The concept of the people is the theoretical main line of Mao Zedong's literary and artistic thought. It is not only the core expression of the Chinese Marxist literary theory, but also the typical application of the mass line in the field of literature and art, which profoundly demonstrates the world outlook and methodology of the proletariat. The purpose of studying the people's concept in Mao Zedong's literary and artistic thought is to further clarify the historical context of Mao Zedong's literary and artistic thought, grasp the profound connotation of the people's concept in Mao Zedong's literary and artistic thought, and explore the methods and principles of correctly handling the relationship between literature and art and the people. It provides theoretical nourishment for the prosperity and development of socialist literature and art. How to deal with the relationship between literature and art and the people is a basic problem that runs through the practice of Chinese revolutionary literature and art, and it is also the realistic logic of the people's view in Mao Zedong's literary and art thought. The formation and development of the view of the people in Mao Zedong's literary and artistic thought has its profound theoretical origins, distinct background of the times, and profound historical practice. It focuses on the core issues of literature and art belonging to the people, literature and art benefiting the people, and literature and art relying on the people, and scientifically answers the Chinese revolution. And the historical subject of how to correctly handle the relationship between the party, the people, literature and art in the process of construction is a concentrated summary and scientific interpretation of the Chinese proletarian revolutionary literature and art movement and the practice of socialist literature and art construction, showing the relationship between people's nature and class nature. The theoretical characteristics of unity, unity of science and practice, unity of aesthetics and utility. The people's concept of Mao Zedong's literary and artistic thought was formed, developed and matured in the period of the new democratic revolution, socialist revolution and construction, and has its specific historical background, but it reveals the general principle that literature and art should serve the masses and the correct solution to literature and art. The specific method of how to serve the people will still provide an inexhaustible source of thought and rich inspiration for the Communist Party of China to continue to promote the development of socialist literature and art in the new era. Based on the first centenary goal, and on the new journey to achieve the second centenary goal, we must unswervingly adhere to the dominant position of the people in the development of literature and art, adhere to the value orientation of literature and art serving the people, and insist on The people-centered creative method of literature and art firmly promotes the development of socialist literature and art with Chinese characteristics in the new era along the correct direction and path, truly expresses the style of the times, leads the spirit of the times, and composes the chapter of the times, providing a source for building a socialist cultural power.