纵观中国诗史，思妇形象自《诗经》始，经过《楚辞》、汉乐府、《古诗十九首》，至南朝梁首次出现“闺怨”一词。随着诗这一文体在唐代达到极盛，闺怨主题的诗歌在内容上继承了前代思妇、怨妇的母题，艺术表现上接受前代的影响，在唐代继续发展达到量和质的顶峰。唐代闺怨主题的诗歌母题形象历史悠久，且和其他类型的诗歌相互交织，全面反映了史料中较少记载的中下层妇女的实际社会生活现状。一些精良的闺怨诗，具有一定的历史现实主义意义，文学审美价值也颇高，在中国诗歌史上占有重要的位置。本文重新梳理并审视《全唐诗》中的闺怨诗，突破以往研究对闺怨诗只停留在考察诗歌内容和艺术审美的范畴，以文学的、历史的和思想的角度重新立体地审视这一类诗歌类型。旨在从文史互证、剖析闺怨审美特色和“怨”情道德基础的视野下，全方位对唐代闺怨诗进行研究。本文第一章为引言，尝试界定本文所讨论的闺怨诗，总结前人研究成果，发现现有研究成果中的问题，进而提出本文的研究方法以及预期取得的主要成果。第二章考察唐代女性生活在闺怨诗中的反映，着眼于中下层妇女在社会生活中方方面面的实际状况，通过文史互证的方法还原历史本来面貌，从而更好地理解闺怨诗的艺术内涵及其在唐代前后期的微妙变化。此外，女性的怨情在男性社会中以“男子作闺音”这一创作形式所构建。在解构时可以发现，这种构建当然具有真实反映女性情感的部分，但同时也有对唐代男性文人心理活动的折射。第三章关注战争因素对闺怨诗歌的影响。第四章回归文学本身，详细梳理唐代闺怨诗的风格流变及其审美特点。通过对“怨”的道德基础的考察，剖析唐代闺怨诗背后的时代风貌和思想。
Throughout the history of Chinese poetry, the image of lovesick women started from the Book of Songs, through the Songs of Chu, Han Yuefu and Nineteen Ancient Poems, until the word "Guiyuan" (lovesick women’s resentment in boudoir) first appeared in Liang in the Southern Dynasty. As the poetry reached its peak in the Tang Dynasty, the poems with the theme of Guiyuan inherited the former generation's motif of lovesick women theme in content, and accepted the influence of the former generation in artistical expression, which continued to reached the peak of quantity and quality in the Tang Dynasty. The poems motif of Guiyuan in tang Dynasty has a long history and is interwoven with other types of poems, which fully reflects the actual social life status of middle- and lower-class women recorded in historical materials. Some excellent Guiyuan poems not only have a certain historical realism significance, but also have high literary aesthetic value, and occupy an important position in the history of Chinese poetry.This paper reviews the Guiyuan poems in The Whole Tang Poetry, breaking through the previous research on Guiyuan poems which only stays in the category of poetry content and artistical aesthetics, and re-examines this kind of poems from the perspective of literature, history and thought. From the perspective of mutual verification of literature and history, analysis of the aesthetic characteristics of Guiyuan and the moral basis of "resentment", this paper makes a comprehensive study of Guiyuan poems in tang Dynasty.The first chapter of this paper is the introduction, which tries to define the Guiyuan poems discussed in this paper, summarizes the previous research results, finds the problems in the existing research results, and then puts forward the research method and the main expected results of this paper. The second chapter examines the reflection of women's life in Guiyuan poems in the Tang Dynasty, focusing on the actual situation of middle and low class-women in social life, restoring the original history through the method of mutual verification of literary and history, so as to better understand the artistical connotation of Guiyuan poems and its subtle changes in the early and late Tang Dynasty. In addition, women's grievances in male society are constructed in the form of "men makes women’s words". In deconstruction, it can be found that this construction of course has a true reflection of female emotions, but also reflects the psychological activities of male in the Tang Dynasty. The third chapter focuses on the influence of war factors on Guiyuan poems. The fourth chapter returns to literature and combs the style changes and aesthetic characteristics of Tang's Guiyuan poems in detail. Through the investigation of the moral basis of "resentment", this paper analyzes the thoughts behind Guiyuan poems in tang Dynasty.
