生死问题伴随着人类的一生，人们终其一生苦苦探索答案，然而每个人对于生死问题的看法不一样，给出的答案也就各不一致。在历史的长河里哲人们对于生死之见解如繁星般璀璨，其中多以文字作为载体进行记载，而在平面设计领域中，关于生死观的视觉呈现案例较少。此外，记载生死观的文字大多晦涩难懂，难以被大众理解，而平面设计则通过视觉的方式扩展大众感知哲学生死观之维度，具有易于传播及便于大众理解的特点，以上为笔者提供一个生死观视觉解读探索的空间与可能。本文主要通过设计的手法对六种哲学生死观进行视觉解读，视觉解读于本文中指的是以视觉语义来诠释文学语义的一种方式，其中六种哲学生死观包括以孔子为代表的儒家、以庄子为代表的道家、以释迦牟尼代表的释家、以伊壁鸠鲁代表的唯物主义、以苏格拉底代表的唯心主义、以海德格尔代表的存在主义，笔者首先对六种哲学生死观进行文本整理及深入分析，包括代表人物、代表观念、文本选择以及整体关键特征，在此基础上根据不同观念的特征寻求六个不同的艺术表现手法包括先秦青铜装饰艺术、黑白木刻版画艺术、禅宗空观美学艺术、像素艺术、欧普艺术、波普艺术与六大哲学生死观进行一一对应，最后通过插图结合书籍的方式进行视觉呈现，笔者希望通过这一研究丰富大众感知生死之维度，同时也希望为此领域的实践探索提供一定的启示意义。 本文主要通过设计的手法对六种哲学生死观进行视觉解读，视觉解读于本文中指的是以视觉语义来诠释文学语义的一种方式，其中六大哲学生死观包括以孔子为代表的儒家、以庄子为代表的道家、以释迦牟尼代表的释家、以伊壁鸠鲁代表的唯物主义、以苏格拉底代表的唯心主义、以海德格尔代表的存在主义，笔者首先对六大哲学生死观进行文本整理及深入分析，包括代表人物、代表观念、文本选择以整体关键特征，在此基础上根据不同观念的特征寻求六个不同的艺术表现手法包括先秦青铜装饰艺术、黑白木刻版画艺术、禅宗空观美学艺术、像素艺术、欧普艺术、波普艺术与六大哲学生死观进行一一对应，最后通过插图结合书籍的方式进行视觉呈现，笔者希望通过这一研究丰富大众感知生死之维度，同时也希望为此领域的实践探索提供一定的启示意义。

The question of life and death accompanies the life of mankind, and people have been struggling to explore the answers throughout their lives. Everyone has different views on the question of life and death, and the answers given are also inconsistent. In the long river of history, philosophers' views on life and death are as bright as stars, and most of them are recorded in words as the carrier. In the field of graphic design, the visual presentation of life and death is still blank. In addition, most of the texts that record the view of life and death are obscure and difficult to understand by the public, while graphic design expands the dimensions of the public perception of philosophy of life and death through visual means, and has the characteristics of being easy to spread and easy for the public to understand. The above provides the author with a life and death. Observe the space and possibilities of visual interpretation and exploration.This article mainly uses design techniques to visually interpret the six philosophical views on life and death. In this article, the visual interpretation refers to a way of interpreting literary semantics with visual semantics. The six philosophical views on life and death include Confucianism represented by Confucius, Taoism represented by Zhuangzi, Buddhism represented by Sakyamuni, materialism represented by Epicurus, idealism represented by Socrates, and existentialism represented by Heidegger. The concept of life and death carries out text sorting and in-depth analysis, including representative characters, representative concepts, text selection and overall key features. On this basis, six different artistic expression methods are sought according to the characteristics of different concepts, including the pre-Qin bronze decorative art and the black and white woodcut art. , Zen Buddhism Aesthetic Art, Pixel Art, Op Art, Pop Art and the six philosophical views of life and death are in one-to-one correspondence, and finally visually presented through illustrations combined with books. The author hopes that this study can enrich the dimensions of public perception of life and death, and also has some exploratory significance.