清代道光前后的闺秀诗坛是整个中国古代女性文学最为繁荣的阶段之一，同时集中了以潘素心、恽珠为代表的乾嘉寓京江南闺秀诗人群落，以张?英、西林春、沈善宝为代表的道光中叶满、汉融合创作团体和以那逊兰保、百保、妙莲保为代表的道光末年以后旗藉闺秀社群等跨越三个世代、涉及不同民族和地域的闺秀诗人群体，并涌现出《国朝闺秀正始集》《名媛诗话》等带有总结意味的闺秀总集和诗文评。通过梳理这一时段北京地区女性诗人的创作活动，可以见出闺阁吟咏风气自乾隆末年起由江南向北京扩展、蔓延的趋势，揭示道光间北方特别是北京闺秀诗坛的形成过程。同时，这一阶段的女性诗人也显现出不同于以往的民族文化融合趋势和八旗诗史自我构建倾向。在“诗可以群”的诗学观念下重审这一时段的闺秀诗坛，还有助于重新阐释这一古老诗学命题。知识女性的初始联结基于亲缘和地缘的客观条件形成。在此基础上，闺秀诗人之间通过“拟亲缘关系”、诗社唱和与“偕隐”缔约等方式，发展成为交错相连的诗坛网络。这种方式为知识女性以诗之名重建家庭权利秩序和获取社会资本提供了途径。同时，这一虚拟于文字中的网络，也赋予闺秀诗人想象中的公共空间和“诗人”的社会角色。

As one of the most thriving and prosperous periods of ancient Chinese female literature, the world of lady poetesses during Daoguang period in Qing Dynasty consists of three parts: lady poetesses residing in Beijing from Jiangnan during Qianlong and Jiaqing periods, such as Pan Suxin and Yun Zhu; lady poetesses from Manchu and Han nationalities in the middle period in Daoguang reign, such as Zhang Qiying, Xilin Chun and Shen Shanbao; Manchu and Mongolian lady poetesses in the late Daoguang period, such as Naxunlanbao, Baibao and Miaolianbao. These lady poetesses came from different nationalites and lived from Qianlong during late Daoguang periods, and compiled general collection of literature and literary criticism, such as Guochao Guixiu Zhengshiji and Mingyuan Shihua. This paper shows, by research chronically on the works of lady poetesses, they started writing from Jiangnan to Beijing since late Qianlong period, and then formed dual-centers, Beijing-Hangzhou during Daoguang period. Different from female writers in the past, lady poetesses during this period demonstrated the tendency of cultural fusion of Man, Mongolian and Han nationalities, and the self-construction of poetic history of Eight Banners of Manchu. Re-examination on the world of lady poetesses in Daoguang period from the perspective of “poetry as a means of social intercourse” helps re-interpret this ancient poetic idea. Based on the initial bond of female intellects which arose from kinship and geo-relationship, together with kinship-like relationship, responsory in poetry societies and agreement to live in seclusion, lady poetesses developed an intertwined poetry world. By this way, lady poetesses reconstructed family power order and gained social capital in the name of poetry. Meanwhile, the virtual world of letters endowed lady poetesses with an imaginary public space and an social role as a poet.