在城市的高速以及全球化的发展中，常常因为高速的城市更新，而使城市丧失了自己的文化定位，地方特色丧失。从个人和城市的角度来看，历史记忆的复兴都有重要作用。在本文的研究中，从理论和实践两方面出发，综合考虑遗址保护的理论背景，以及案例的发展沿革总结出目前研究的欠缺之处和设计的方法经验。运用实践项目检验设计方法，并通过项目的概念实践，完善文化展览馆理论。在理论探讨中，发掘国内外研究的近况，发现目前的研究关于文化展览馆的定义和分类没有明确的定位，而且国内对于损坏文物的法律文件不足，鲜有从建筑设计的角度进行文物保护的探讨研究。同时在对比不同博物馆案例之后，总结文化展览馆建筑的设计方法理论，保留活动场景、延续历史肌理、提取符号化标志和复现历史事件。因此在项目实践中，通过以上总结的方法，结合‘记忆复兴’和“历史漫游”的概念，在实践中检验徐州彭城广场城下城文化展览馆的设计既能够保证城市的高效运行，又能够保持遗址的文化内涵。

In high speed city development and globalization, it is often for the city to lose its cultural orientation, and the local characteristics to be lost because of high speed urban renewal. From the perspective of both individual and city, the revitalization of historical memory has an important role. In this paper, from the aspects of both theory and practice, the theoretical background of the site protection is thought over, as well as the evolution of different cases is compared. From such research, the shortcomings of the current research and design methods are summarized. By using the practical project, the summarized methods are tested and through the conceptual practice of the project, the theory is improved.In the theoretical study, to explore the research status in China and abroad, it is found that there is no clear concept from current research on the definition and classification of cultural and historical museum. At the same time, after comparison of different cultural and historical museum cases, the theoretical design method for cultural and historical museums is summarized: reservation of activity scene, continuation of historical texture, extraction of signs and symbols, and repetition of historical events.Therefore, in the project practice, through the summarized methods above, combined with the concept of "Renaissance of memory " and "roaming in history ", the practice design of the Xuzhou City Underground cultural and historical museum tests how architecture design can ensure the efficient operation of the city, as well as maintain the cultural connotation of the site.