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论吴昌硕花鸟画的笔墨结构研究

On the pen and ink structure of Wu Changshuo‘s flower and bird painting

作者:夏爽
  • 学号
    2014******
  • 学位
    硕士
  • 电子邮箱
    126******com
  • 答辩日期
    2017.05.18
  • 导师
    金纳
  • 学科名
    艺术
  • 页码
    22
  • 保密级别
    公开
  • 培养单位
    080 美术学院
  • 中文关键词
    吴昌硕,花鸟画,笔墨结构,创作与实践
  • 英文关键词
    Wu Changshuo, Flower and bird painting, Pen structure, Creation and practice

摘要

吴昌硕中国近代写意花鸟影响后世的著名画家之一,其画作突破宋代传统写实花鸟,而将其篆刻书法融入其中,体现出其花鸟画中的金石之气,既师古,而又超古。本文以吴昌硕老先生的人生经历为切入点着重研究其花鸟画的笔墨结构,并且从中找出其对现代花鸟绘画发展的影响因素,并根据自己的写生和创作实践来谈自己从中的领悟。

First and Foremost, Wu Changshuo is one of Chinese flower and bird painting masters who influences the trend of traditional painting skill for ages. He redefined and made a breakthrough onto the inherent conceptual traditional flower and bird painting in Song Dynasty. Beyond that, it was combined with the idea of Chinese calligraphy and sealcutting skills, which can emerge and access to the truly spirit of Chinese art and then surpass majority work of great predecessors. In this article, it can illuminate my own viewpoint of rethinking the particular structure of Wu Changshuo's painting brushwork by researching significant experience of his own personal life philosophy. In the end, these article shows my personal self-reflection and make a conclusion to reveal how this outstanding master influences the development and trend of Chinese flower and bird painting, and then achieve a communication with myself to discuss what I comprehended by my own experience of painting from life in this progress.