唐诗孕育于宫廷，由君主带头下，唐人格律诗得以瞬间组成，而且逐渐趋向定型，“文质斌斌，尽善尽美”。当时的格律诗典雅华美，极能充分象征唐代那种堂皇而繁荣的文化气息，确是古今中外罕见，而此种由文学融入政治文化，一直在唐代宫廷及民间持续地普及流传。全文六章：第一章、“引言”是综览：可概阅整篇论文的来龙去脉，同时清楚说明本论文的定题来由、选题意义、研究内容及文献综述等。第二章、“论推动唐诗发展的四种原因”：唐诗，为唐君主所看重，有计划、有组织地去塑造大唐文化景象，而士人在弘文政策下凭借诗赋之才成为进士，甚至翰林学士一品新兴贵人，由此“唐诗与当官”实用价值成为事实。再加上文人编选、印抄、藏肆诗歌习尚等等，都是推动唐诗发展的主要原因。第三章、“论唐人格律诗的承接与创新过程”：论唐人格律诗承接过程，尝试上追溯魏晋南北朝，下至盛唐，藉着相关诗歌和诗论，踏实地去弄清楚唐人格律诗所组成基本元素及其源出之处。接着论创新过程，先论以唐太宗为首创作的“宫廷诗”，再论“沈宋”诗“研练精切”，最后论杜甫诗“尽工尽善”，达到所谓“文质并重”，一段唐人诗歌史上追求“美善”艺术之创作过程。第四章、“论唐人选唐诗(十五种)诗集”：本章以傅璇琮老师编撰《唐人选唐诗新编(十三种)》为基础，再自行增添《高氏三宴诗集》和《香山九老诗》共成十五种。先论编纂者之祖籍分布、家世状况、选诗时限、编撰时地；再对被选诗人之身份类别、诗歌数量进行分析统计。最后从三种类别直观诗艺：一是宫廷与民间的特色性诗类；二是女性僧人老人的特殊性诗类；三是地方吴人与国朝大手名人、河岳英灵与国秀、寒士与名士的比较性诗类。第五章、“论唐人论唐诗六个范畴”：首先简述诗论家之身份地位及其理论来源，并探究初盛中晚唐四期诗论取向。再按诗论内容归纳为六个范畴：儒家色彩“风雅”说、美善期盼“文质”说、声色俱备“声律”说、刚健质朴“风骨”说、写诗作法“诗格”论及诗心禅趣“意境”说，然后综论“唐人论唐诗”之诗论特色及其流变情况。由此，唐人诗论──风文声骨格意，风格鲜明。第六章、“结论”是总结：从三方面综述，一是“综论推动唐诗发展原因与唐人格律诗创作美善过程”；二是综论“唐人选唐诗”与“唐人论唐诗” ；三是“唐代唐诗学之启迪”，这部分总结全文四论探究后提出唐代唐诗学四大特质，此乃本文探究“唐代唐诗学”的价值意义所在，以此收结。
Tang Poetry was first inoculated in palace. Under a paramount influence of the emperor, Tang’s metrical poetry was established quickly. The genre of metrical poetry was gradually forming stereotypes, “the essence of literature was elegant and refined to reach the acme of perfection”. During this period, Tang poetry represented extravagant banquets or upper class activities in the palace! In my view, Tang poetry fully symbolized a prosperous and cultural atmosphere of Tang dynasty, which was rarely seen in ancient times and even nowadays. Tang Poetry was integrated into political culture. It was widely spread among the palace and society. The discussion would be divided into the following six chapters:Chapter 1 “Introduction” : Read the ins and outs of the entire paper. Meanwhile, the origin, significance, research content and literature data of this thesis are clear explained.Chapter 2 “Four main reasons enhancing the development of Tang Poetry” : From a political perspective and cultural perspective, Tang Poetry was good for cultivating a unique and prosperous atmosphere of a kingdom; hence the emperors had a passion for it. All the intellectuals could gain a chance to become scholars or even “Hanlin scholars”(chief officials) by their talents in poetry writing. Therefore, it showed that “Tang Poetry and the official" had an absolute intertwine relationship. Moreover, the literati edit excerpted, and the printing, copying, collection, sale of poetry as their culture habits sped up the development of Tang poetry.Chapter 3 “A study of changes and innovative development of Tang metrical poetry” : This chapter explores the changing process of Tang Poetry, its formation far started from Wei Jin South and North Dynasties down to the High Tang. From the related poetry and poetics try to discuss Tang Poetry on the basic elements of consisting and its source. Then, an innovative process of Tang Poetry is elaborated. The greatest emperor Tang Tai Zong showed the basic elements of Tang Poetry, which was regarded as the beginning of stereotype of metrical poetry; the poet Shen Song represented the middle stage, while the poet Du Fu marked the acme. The Chinese Tang poetry went through various processes to pursue beauty and excellence in both content and writing skills.Chapter 4 “Tang Poetry Anthologized by Tang People (15 kinds)” : This chapter is based on the existing “Tang Poetry Anthologized by Tang People New edition (13 kinds)”, compiled earlier by Fu Xuan Cong, and is added with "Gao shi three feast Poetry" and the "Xiang Shan nine old Poetry", in total of 15 kinds of poetry. The first part explores the time of compilation, in order to be more comprehensive, a detailed understanding of compilation of the "Tang poetry anthology” is included. The second part is a statistical analysis of identity, classification and the number of poems of selected poets. And the third part puts forward different types of poems such as a court poem, civil poem, female poem, old male poem, monk poem, poor scholar poem, and famous scholar poem. Chapter 5 “Tang People’s Comment on Tang Poetry in 6 aspects” : Firstly, their status and foundation of their theories in early, high, middle and late Tang dynasty are introduced. Then a detailed study of the characteristics of Tang Poetry and its innovative process are explained. All the major poetics are divided into six categories by content and theories including Confucian poetic, text quality, rhythm, strength of character, poetry format and artistic conception. For the core idea of each poetic, it briefly explains some instructions. Chapter 6 “Conclusion” : In concluding remarks, put forward the four major characteristics, which also summarizes the value and artistic achievement of Tang Poetry in Tang dynasty.
