龙泉青瓷工艺我国传统制瓷工艺中的一部分，与其它窑系的制作工艺有着紧密的联系，但作为一个具有地方性的窑系，龙泉青瓷所特有的材质美和工艺特征又与当地材料和工艺有着密不可分的联系，在漫长的发展历程中，龙泉瓷工运用当地材料技法，并善于吸收其他窑系的优秀工艺，经过长期的实践，逐渐发展出具有自身特色青瓷艺术。 本文以龙泉青瓷工艺为研究对象，对龙泉青瓷工艺的产生、发展、现状进行梳理和概括，着重研究龙泉青瓷的原材料、成型工艺、装饰技法、烧成工艺以及缺陷的避免，针对龙泉青瓷独特的艺术特征进行了工艺上的分析，并对现代龙泉青瓷的工艺创新和发展趋势作了归纳与总结。 研究方法和过程：一 收集整理龙泉青瓷的资料和文献，解读现有研究中对龙泉青瓷的认识，分析其构成要素，确立研究重点，建立龙泉青瓷工艺系统的理论框架。二 到龙泉考察调研，收集图片和实物资料，切身体会传统龙泉青瓷的材料和工艺特征，结合理论研究，分析和筛选合理的理论素材，进一步完善论文素材和理论的构架。三 参与制作和实践，使用不同的材料和技法，实验龙泉青瓷的工艺和材料技法，并考察不同的制作者对材料工艺的运用状态，以及青瓷行业的运作方式对制作工艺的影响，归纳传统工艺和新工艺的现状。 结论：一 龙泉青瓷的艺术特征与当地材料工艺有着直接的关系。二 在和其它窑系以及工艺文化的相互交流和影响下，龙泉青瓷逐渐形成了独特的风格和艺术特征。三 现代龙泉青瓷很大程度上保留了传统工艺中优秀的部分，并在此基础上不断融入现代审美观念和新的材料技法，极大地丰富了龙泉青瓷工艺的艺术语言，逐渐形成了百花齐放的形式。
As a part of traditional ceramic craft system, Longquan celadon craft is closely linked with other craft of kiln systems. But as a local kiln, the unique beautiful materials and craft characteristic of Longquan celadon have close relationship with the local materials and craft. In the long course of development, by using local materials techniques and absorbing fine crafts of other kiln systems, Longquan celadon workers developed celadon art with its with its own characteristics after experiencing a long time practice. The thesis is addressed in Longquan celadon craft, describing its origin, development and the status quo, analyzing materials, shaped crafts, decorative techniques kiln technology and the way to avoid mistakes. Furthermore, this thesis analyzes craft based on the unique artistic characteristics of Longquan celadon, and make a conclusion to the modern innovation and developing trend of Longquan celadon craft. Research methods and processes : 1 Collect information and documentation about Longquan celadon. Read existing researches on Longquan celadon. Analyse its constituent elements, establish research priorities and build the framework of Longquan celadon craft system theory.2 Do research in Longquan and study traditional materials and crafts here by myself. Collect pictures and objects. Analysis and selection proper theory materials on the base of theoretical study and improve the paper materials and theoretical framework. 3 Engaged in production and practice by using different materials and techniques. Do experiments on techniques and materials. Study real status on how different producers use materials craft and how operations in celadon industry impact the production process. Summarize current situation of traditional crafts and new techniques. Conclusion : 1 There is a direct relationship between artistic characterisctis of Longquan celadon and local materials and crafts. 2. Being mutually influenced and interacted by other kiln systems and craft cultures, Longquan celadon gradually develops its unique style and artistic characteristics. 3 To large extent, modern Longquan celadon retains excellent parts of the traditional crafts. What’s more, Longquan celadon absorbs modern aesthetic concepts and new materials techniques, which greatly enrich art language of Longquan celadon crafts. And the situation appears to be a hundred flowers blooming.
